A notable group comprises four figurines marked “DH.” Though seemingly painted by the same hand, the incised “DH” mark—applied before painting on three pieces—points to a now-unknown vormer.(22) One figure, a bagpipe player (Fig. 9), is marked “IP” for Jan Pennis (De Twee Scheepjes, 1723–1763). A matching but less detailed version from the Aronson Antiquairs Collection (inv. no. https://www.youtube.com/redirect?q=https://rss.com/podcasts/stukadoorzwolle/1784958/ ), attributed to Johannes van Duijn, owner of De Porceleyne Schotel from 1764 to 1772, lacks the “DH” mark, suggesting that the mold may have been loaned or sold rather than transferred by the vormer himself (Fig. 10). The presence of an inscribed signature highlights the artist’s importance within the production process. Later, when Adrianus Kocx, and subsequently his son Pieter, owned De Grieksche A, the production of figurines continued. Striking similarities can be observed between these works and those produced under Lambertus van Eenhoorn.(13) The earlier rivalry between the two factories had diminished, likely due to the familial ties between their owners.(14) It is conceivable that molds—or even molders—were shared between the workshops. This article walks you through everything you must do within minutes of a breach, including the critical steps most victims completely overlook. If you want to stay ahead of cybercriminals and keep your identity intact, this is the guide you can’t afford to skip. An SSL certificate secures communication between your computer and the website. Alongside these Eastern forms, European models gained traction, some based on the work of Giambologna (1529–1608). His sculptures were well known in the Netherlands, frequently appearing in Dutch interior paintings.(15) These models were recreated in both red stoneware and glazed Delft faience. After the job is completed, you’ll receive an email with a QR code or payment link. Zoofy holds the payment until you’re satisfied with the result, providing extra security. Their absence is a significant loss, as they could have deepened our understanding of the technical and artistic processes involved.The image at the beginning of this article however, offers a glimpse of the vormer’s work and his moulds on the left side. The Mold-Making ProcessPaape describes how the increasing complexity of shapes quickly surpassed the capabilities of the potter’s wheel, necessitating the use of molds. The vormer would begin by sculpting a prototype from clay, refining its features using sticks, pins, brushes, and sponges. Contact Us Stukadoor Zwolle Email: contact@stukadoorzwolle.com Phone: https://swaay.com/u/wgpgecjl5849/about/ Grote Voort 293A Zwolle, Overijssel, NL 8041 BL Once dry, this model was surrounded by a dam of clay to create the mold’s outer form. A liquid plaster mixture was then poured into the cavity; once hardened, the original figure was removed and the mold was ready for use. Clay, rolled to the required thickness, was pressed into the mold with a damp sponge. As research continues, there is hope that new findings will further illuminate the indispensable, yet often overlooked, contributions of these master craftsmen to the enduring legacy of Delftware. In the Netherlands, from the third quarter of the century onward, modeled ornamentation began to evolve more distinctly, reflecting a shift in artistic ambition and technique. Human, animal, and mythical figures became integral parts of ceramic design, serving as handles, bases, finials, and spouts, or as independant figurines. Finishing touches included smoothing seams (schrooien) with metal tools and affixing additional elements—such as handles, feet, or ornaments—using smaller molds or hand tools. These methods allowed for the production of detailed and complex objects. A plasterer can assist with various types of plastering, such as smooth finishes, decorative plaster, spachtelputz, and concrete-look finishes. A number of these plaques are decorated by Frederik van Frytom, widely regarded as the most accomplished faience painter of his time (Fig. 1). For an innovative enterprise such as De Metaale Pot, it would have been a logical choice to unite the talents of the most skilled artists available to create such plaques. The decision to contract Nieullet for a longer period underscores De Metaale Pot’s clear ambition to elevate its products. The teapots produced during his time at the factory feature exquisitely crisp reliefs, a testament to his craftsmanship. This rare piece could represent the earliest known bust produced in Delft, positioning De Grieksche A as a potential pioneer in the development of sculptural faience. For plastering jobs, a two-month statutory warranty applies. Additionally, for a small fee, you can opt for extra protection through the Zoofy Guarantee Package, providing extra security. This package can be easily selected during the final step of the booking process. If you want to know how to spot a VPN that genuinely keeps you private, here is what to look for. Your data may already be in the hands of hackers, and the worst part is that most people don’t realize how much danger they’re in until it’s too late. A breach isn’t just an inconvenience; it can trigger financial loss, identity theft, and long-term headaches if you don’t act quickly. A plasterer costs approximately €55 per hour for regular jobs. For urgent jobs, the rate can go up to around €83 per hour, depending on the urgency of the job. If the job is scheduled for the weekend, an additional surcharge may apply. The total cost depends on the size of the area, type of plastering, and job complexity. Despite the centrality and continuous use of molds in Delft ceramic production, not a single complete example—or even a fragment—has survived. Some were designed for one-time use; others, particularly those made from plaster, simply eroded over time.